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Saidiya hartman on insurgent histories and the abolitionist imaginary Darla migan reviews the 2024 documentary seeking mavis beacon by jazmin jones andolivia mckayla ross In one instance she quoted saidiya hartman, saying something about bridging “the gulf between the sovereign and the fungible.” bradley i’m sure is a fine researcher, but i needed a few minutes to wrap my head around what that phrase meant, and by then i had lost the plot to the rest of her paper.
Artist dewey crumpler and author and scholar saidiya hartman first met years ago in the bay area In the process, scenes fundamentally challenged both the projects and the objects of critical theory and historical praxis in the united states. In the hour they spent together for this episode, they discuss many subjects, including their work, the responsibilities that attend a calling, the exhaustive process of transformation, and the powerful “hum”— the potent frequency—of black lives.
In her 2019 essay “the plot of her undoing,” saidiya hartman catalogues historical, structural, grammatical “beginnings,” sentences slipping around among centuries
“the plot of her undoing begins with inviolable rights, with liberty How to model kinship when jim crow demands otherwise What constitutes intimacy for the legatees of race slavery and social death The “revolution in a minor key” of saidiya hartman’s…
Compare this with the most powerful and radical engagement with micronarrative during the same period, saidiya hartman’s method of “critical fabulation.” Interviews saidiya hartman saidiya hartman on insurgent histories and the abolitionist imaginary by catherine damman july 14, 2020 7:00 am Carl phillips on talent, ambition, and stamina
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